How to release music independently and keep your masters
You don't need a label to get on Spotify and Apple Music — you need a distributor. The difference: a label usually owns your masters, a distributor doesn't. Here's how to release on your own and keep what you make.
Label vs distributor — the one distinction that matters
- A label typically funds your release and, in exchange, owns your masters and takes the majority of the revenue, often for a long time.
- A distributor is a service that simply delivers your music to streaming platforms and pays you. You keep your masters and usually ~100% of royalties, minus a flat or annual fee or a small cut.
If keeping ownership matters to you — and the Taylor Swift and Prince fights are about exactly this — a distributor is how you stay in control.
The independent release checklist
- Register yourself properly.
- Pick or form your artist/label name (you can be your own "label").
- Get an ISRC (per-track) and UPC (per-release) — most distributors issue these free.
- Choose a distributor model.
- Flat-fee / annual: you pay a set price and keep ~100% of royalties. Best once you have steady streams.
- Commission: free or cheap up front, the distributor keeps a small percentage. Best when you're starting.
- Whatever you pick: confirm you retain master ownership and can leave and take your catalog with you.
- Collect every royalty stream — not just streaming.
- Publishing/mechanical & performance royalties (songwriter side) are separate from your recording royalties. Register with a PRO (e.g., a performing-rights org) and a publishing administrator so you're not leaving the songwriter money in the "black box."
- Deliver on time. Submit 3–4 weeks before release date so you're eligible for editorial and your release-day data counts.
- Own your pages. Claim Spotify for Artists and Apple Music for Artists — control your profile, see your data, pitch playlists yourself.
Red flags when choosing a distributor
- Anything that claims ownership of your masters (that's a label in disguise).
- Exclusivity you can't exit, or that locks your catalog if you leave.
- Vague language about who collects publishing — make sure it's you.
Keep your share high
Releasing independently is the practical version of the lesson in what you earn per stream: the streams are the same everywhere; keeping ~100% of them is the difference between a hobby and an income.
The takeaway
You can be on every platform tomorrow without signing your life away. Own the masters, collect all the royalty types, and use a distributor that lets you walk away with your catalog. Then focus on the hard part — getting heard. That's next: grow without the algorithm.
Primary sources
- [1]Taylor Swift masters dispute — Wikipedia
- [2]Royalties Guide — Spotify for Artists
Educational information, not legal or financial advice. For your specific situation, consult a qualified music attorney or advisor.